New in the Hogarth series of re-imagined Shakespearean plays comes Margaret Atwood’s Hag-Seed. This is an extremely wry, clever re-telling of The Tempest, complete with revenge, bitterness and possibly a little redemption. Our modern day Prospero is Felix, a theatre director and actor fired by his backstabbing right-hand man, Tony. Dumped from the theatre, grieving the death of his daughter Miranda, Felix takes to the backroads ,where he settles on the edge of a scrubby farm in a semi-abandoned shack – his own island world. A decade or so passes. In this time he re-invents himself as Mr Duke, a genial retired drama teacher, and watches ‘Miranda’, now a fully fledged fantasy, grow from a child into a young woman, all the while keeping tabs on the treacherous Tony and his cohorts who have risen up the ranks of cultural politics to positions of power and advantage. When he spies a job as a drama teacher at a local prison, he knows this is his path to revenge himself on his enemies and redeem himself.